Welcome to another installment of Blog Carnival, the ongoing international blatherings of the artists of EtsyMetal, of which we are one (well two actually, if you want to get all technical like). Every month we pick a topic and each of who so chooses writes about it from their unique and often unfathomable perspective.
You, the reader, are thusly treated to a real time comparison of how one artist’s dysfunction stacks up against another’s on the same point of reference. This is our gift to students of psychology and snoopy people everywhere. You know who you are. Enjoy.
This month we are supposed to be writing about tools, a subject that all metalsmiths are obsessed with. We have “tool envy”. We look at “tool porn”. We compare our tools to the tools of others. And we fuck with our tools incessantly, changing them, modifying, making them bend to our will. We can’t help ourselves. Just know that the fastest way to seduce a metalsmith is invite her up to your room to look at your tools.
While we all like to talk about our tools, we don’t talk so much about the dirty little secret we all live with. Namely, where do you put all those tools. Yes, we are all trying to fit 10lbs of shit into a 5lb box. As much as we all like tools, studio space and storage is the Holy Grail.
For our own part, we have literally built “floor to ceiling” shelves and storage into every square inch of our 4 room studio space. This has not even come close to providing adequate storage, so we built 3 additional outbuildings – and immediately filled those up too. Stick around for the super-nova sale that happens after we kick it. We’re pretty sure we actually DO have the arc of the covenant in there somewhere. Maybe Jimmy Hoffa too.
Here are two photos showing our individual benches. Take your best guess at which one belongs to Pig Pen and Ms. Lucy.
The arrangements have evolved over the years to put the tools we use constantly within arm’s reach.
The area under each bench is also lined with shelves and drawers that pull out to provide easy access and additional work surface.
We are big on using every square inch of space to compactly store the small tools we use frequently. Such as this modular system for keeping the various flex shaft bits hands.
Revolving trays tucked into dead corners can store a boat-load stuff. Specially if you pimp them out like ours.
Peg board is simply the most important discovery for artists since the invention of the automatic coffee maker and margaritas. I would line my refrigerator with this stuff if Corliss would let me. One of the many things we are using peg board for is to store our wire stock. We picked up this remarkably efficient trick many, many years ago on a visit to another artist’s studio. See the pattern here?
Sheet gets stored in an open filing system and smaller pieces migrate to sorted bins in the drawers.
As you might imagine the daily workings of a studio creates a powerful swirling tornado of tools, materials and project in varying degrees of progress. This lends itself to an environment of barely controlled chaos. Considering the context, the word “controlled” is itself a variable term, open to a wide range of interpretation.
By way of example here are two views of our “mini machine room”. The room itself is most definitely a work in progress, much akin to attempting maintenance on the car while you are driving it.
You, the reader, are thusly treated to a real time comparison of how one artist’s dysfunction stacks up against another’s on the same point of reference. This is our gift to students of psychology and snoopy people everywhere. You know who you are. Enjoy.
This month we are supposed to be writing about tools, a subject that all metalsmiths are obsessed with. We have “tool envy”. We look at “tool porn”. We compare our tools to the tools of others. And we fuck with our tools incessantly, changing them, modifying, making them bend to our will. We can’t help ourselves. Just know that the fastest way to seduce a metalsmith is invite her up to your room to look at your tools.
While we all like to talk about our tools, we don’t talk so much about the dirty little secret we all live with. Namely, where do you put all those tools. Yes, we are all trying to fit 10lbs of shit into a 5lb box. As much as we all like tools, studio space and storage is the Holy Grail.
For our own part, we have literally built “floor to ceiling” shelves and storage into every square inch of our 4 room studio space. This has not even come close to providing adequate storage, so we built 3 additional outbuildings – and immediately filled those up too. Stick around for the super-nova sale that happens after we kick it. We’re pretty sure we actually DO have the arc of the covenant in there somewhere. Maybe Jimmy Hoffa too.
Here are two photos showing our individual benches. Take your best guess at which one belongs to Pig Pen and Ms. Lucy.
The arrangements have evolved over the years to put the tools we use constantly within arm’s reach.
The area under each bench is also lined with shelves and drawers that pull out to provide easy access and additional work surface.
We are big on using every square inch of space to compactly store the small tools we use frequently. Such as this modular system for keeping the various flex shaft bits hands.
Revolving trays tucked into dead corners can store a boat-load stuff. Specially if you pimp them out like ours.
Sheet gets stored in an open filing system and smaller pieces migrate to sorted bins in the drawers.
Any wall surface that does not contain selves is lined with peg board. This one is over a bench and contains frequently used tools. We have found that stacking the peg boards is far more efficient than having one tool per hook which in our case would require a building approximately the size of Hong Kong International Airport. And, its not for sale. We asked.
As you might imagine the daily workings of a studio creates a powerful swirling tornado of tools, materials and project in varying degrees of progress. This lends itself to an environment of barely controlled chaos. Considering the context, the word “controlled” is itself a variable term, open to a wide range of interpretation. By way of example here are two views of our “mini machine room”. The room itself is most definitely a work in progress, much akin to attempting maintenance on the car while you are driving it. 